DE EN
April 5, 2018

Tzimon Barto performs in the Far East

On April 6th, Tzimon Barto will perform with Midori in Tongyeong, Korea. In their demanding program of works by Yun, Hindemith and Lieberman, the two present the timeless influence of Bach across the 20th and 21st centuries. In a morning concert for students, Tzimon Barto brings Gershwin’s music, a piece of his own cultural heritage, […]

further information ...

March 4, 2018

Tzimon Barto back in Germany

On March 4th, Tzimon Barto will play a recital with works by Rameau, Liebermann and Haydn as well as Bach’s Goldberg Variations as part of the Minden Wednesday Concerts. Tzimon Barto’s style of playing is as versatile as the program selections – the world citizen and polyglot Barto moves with an originality through the musical […]

further information ...

December 6, 2017

Tzimon Barto plays Messiaen in Berlin

On December 8th, a special work will be performed at the Komische Oper in Berlin: Tzimon Barto performs the solo piano part in Messiaen’s Des canyons aux étoiles. Alice Tully commissioned the work in 1972 on the occasion of the 200th anniversary of the American Declaration of Independence. Just as unconventional as the founding fathers […]

further information ...

November 16, 2017

Tzimon Barto visits the Scala in Milan

Tzimon Barto brings the “Roaring Twenties” from the USA to the traditional Milanese Scala. On November 20th, 22nd and 23rd, under the direction of Christoph Eschenbach, he plays Gershwin’s Piano Concerto in F major. Gershwin’s unique fusion of classical symphonic and jazz music makes the work a milestone in piano literature. Tzimon Barto fuses his […]

further information ...

October 4, 2017

Tzimon Barto with Brahms Piano Concertos in Hong Kong and Malmo

The new concert season leads Tzimon Barto to the Far East on October 6th and 7th. In Hong Kong, he will play the Brahms Piano Concerto no. 2 under the direction of Christoph Eschenbach with the Hong Kong Philharmonic Orchestra. The technical demands on the soloist as well as the drama of the concerto show […]

further information ...

Navigation